The New Well Tempered Simplex and Thorens TD 309 Turntables
18 months ago we introduced you to the Well Tempered Amadeus turntable - it sounded so good that I had no problems in changing from my beloved Linn LP12 turntable. There hasn't been a day since then that I've ever felt it wasn't one of the best changes I've ever made. The Well Tempered was, in Linn's own words, simply better. Unarguably superior in every way - better sounding, more detailed, pitch accurate, better isolated, easier to use, compatible with more varied systems and cartridges and a fraction of the price of the full blown Linn. In fact the Amadeus costs less than Linn's lowest spec, entry level turntable. That said, NZ$3600 is not everyone’s idea of entry level. And when you hear at just how good a sound you can enjoy from turntables such as the Thorens models well under NZ$1000, it's clear that there is a place for an option in between these two numbers.
Looking at the Amadeus, it seems so simple and so elegant that it wouldn't be possible to reduce it further. But that would be to underestimate the ingenuity of the designers. Enter the new Well Tempered Simplex. Rather than explain all the Well Tempered principles from scratch, I’m going to assume you have done your homework and have looked at the Amadeus and its associated reviews . The Simplex distills the elements even further. The trademark golf ball is now literally skewered by the thin tonearm tube and sits in the familiar sticky silicon fluid bath, suspended by only a thin thread of mono-filament. The platter and plinth have been shrunk in the wash and are now only as big as they absolutely need to be. The on switch has migrated to the back panel, the arm rest and arm support column slimmed down. The plinth is now single layer using squash balls as feet, and the unique bearing has been further refined.
Nip and tuck, nip and tuck. But while plastic surgery is all about cosmetics, the results run considerably deeper. I don't know if I'm brave enough to do a straight line comparison between my own Amadeus GT and the Simplex, but I can tell you that there is no other turntable of any breed under NZ$3000 (and a great number at substantially more than that) that is going to come close to the Simplex when it comes to playing records. Within 20 minutes of first setting it up in the shop it was singing. I'd suggest that the reduction in physical size and mass has greatly reduced resonance - allowing the bevy of dampening strategies to perform to an even higher standard.
If you haven't actually seen or heard a Well Tempered turntable in action, you could be forgiven for questioning how it could actually work at all. For many aspects of its design fly against the conventional accumulated logic of how turntables should be - over engineered to ever shrinking tolerances, unyieldingly rigid, spiked, massive and costly. With setup being a black art restricted to the anointed. But once you take a little time to understand the thinking behind the design, then look at the elegant and economic implementation combined with a few aspects of straight rat-cunning you'll be on the road to conversion.
But all this takes a back seat to the sound quality. The Well Tempered Simplex makes records sound better than new - no matter how well you think you know a recording, we guarantee the Simplex will reveal layers you have never heard before. The background noise, pops and clicks you have lived with fade into the distance. All the audio boxes are ticked - sound-staging, dynamics, solid bass, sparkling treble and more. The isolation from audio feedback and tracking ability due to the unique damping schemes are exceptional. And the tone arm design offers almost universal compatibility with phono cartridges, while being fantastically easy to set up. Wanting not to confuse issues, we have first set up the entry level Ortofon 2M Red cartridge at on the Simplex. This makes what we are hearing all the more astonishing - it would be very easy to spend more on a complete turntable by choosing a cheaper model but splashing out on the cartridge. But as we learned many years ago, its the platform that the cartridge sits in that really makes the difference. So while the Simplex has the potential to sound stellar with a costly cartridge, it will wring every possible ounce of performance out of much more prosaic devices - saving you a considerable amount not just up front but also when it comes to stylus replacement time. And given he fact that you’ll be playing many more albums with the Simplex, this is a good thing.
The Simplex makes a virtue of parsimony. It sounds so good that any ancillaries connected to it will perform above their cost - While it is a NZ$2750 turntable, the fact that you'll be getting such a wealth of information out of it, that a modest amplifier and speakers will deliver and end sound quality that will far exceed any other similarly priced combination, no matter how you alter the proportions.
If it weren't for the simultaneous arrival of the Simplex, we’d be showcasing the new Thorens TD 309 as the answer to all the analogue worlds problems. But let's not be hasty and ignore the virtues of Thorens as it has some very specific strengths which set it up to be a unique and viable contender.
Thorens were producing turntables with 3 point suspension and precision bearings long before Linn and over time have designed a profusion of models from the affordable to extreme high end. They have carved out a reputation for unrelenting reliability, ease of use and great value. As of now, they have the most extensive range of models in the world. Even in New Zealand we can list 25 variants of model and arm between $675 and $10,000.
The suspension system is the most obvious point of difference between the Thorens TD 309 and other most turntables. In any normal environment, acoustic feedback is the most detrimental influence on a turntables performance. The less isolated the stand, the closer or larger the speakers, the louder the volume - the worse it gets. And it can get very very bad. With too many turntables you literally have to tiptoe past. When you drop the lid, the thump kicks you against the wall if the volume has been left up. And just when you’re starting to have fun, the bass drivers are flapping uncontrollably and it all turns to the proverbial. Not good.
Thorens attack this problem with a highly refined version of their 3 point suspension system, isolating the turntable from the environment. This is further enhanced by the sculpted plinth and heavy platter, both which further reduce air-borne acoustic feedback. The new tonearm with high rigidity and finely crafted bearings is purpose designed for this turntable, forming a finely balanced system.
All these strategies are to simply allow the stylus to accurately transmit the microscopic information it encounters in the record grove back to the cartridge then onto the system. The approach is almost the antithesis of the Well Tempered, but while they are attacking the same problems with completely different strategies, both designers achieve everything they promise and come to a common end point. The Thorens comes complete and ready to play with cartridge mounted and quality arm leads included. The easy electronic speed change and familiar arm setup allow intuitive operation by anyone. The high gloss finish and precision of every part make the Thorens look more expensive than it actually is. And we know from experience it will last a lifetime and more. Click here to find out more.
The Thorens inspires immediate confidence. The sound reflects the engineering that produced it - the soundstage has an architectural solidity - everything is in its place and under control. There's a comforting certainty.
On the other hand, the Well Tempered has a distinct left field appeal - it revels in its differences and you really do have to read the manual. You get to choose the cartridge and interconnecting leads you want to use on it and it has a vast scope for fine tuning - while we can do the usuals like arm height adjustment, the permutations of damping via the golf ball and silicon bath are infinite. That said, once set, the performance is completely stable. You will have to move the fine filament 'belt' between grooves on the drive pulley for speed change and endure a certain amount of raised eyebrows at the while golf ball. But if you can deal with these things, there will be a lifetime of musical rewards. Ultimately, it's the Well Tempered Simplex which we think will deliver the best musical performance.
Whichever turntable holds the most appeal for you, we can assure you that you'll enjoy it for many years to come. We contend that the analogue record is still the best quality musical source. And with the advent of such high quality and affordable turntable options, it's possible for almost anyone to experience sound quality that would have been the preserve of obsessive audiophiles.
Well Tempered Simplex Turntable - complete with tone arm & power supply - NZ$2750
Thorens TD 309 Tri-Balance turntable - includes arm, cartridge, power supply & all cables - NZ$2750
The Terrace Houses
217 Stuart Street
Dunedin 9016
New Zealand
NZ Toll Free
Phone
Cell Phone
Mail
0800 909 101
(+64) 03 4790 444
(+64) 021 963 321
info@totallywired.co.nz
Direct Contact
John Ransley and Sharon Guytonbeck are the principals behind Totally Wired. It’s our own business and we take pride in building something worthwhile.
If you want to contact us directly per mail: